Who

represents

America

?

Road Sign
Cover Photograph

Zorka and Nick

[ 16 April, 2022 ]

I spot an old, blue Dodge pickup truck under a blue, sun-scorched neon sign that says Maverick Motel. In the empty lot, a lady in a blue shirt sits under a canopy. My photography heart leaps at the perfect confluence of all that blue.

“Can I maybe take your picture?” I ask her. “Yes, of course,” she replies with a distinct voice in an accent still unfamiliar to me. In the distance, I notice a man stepping out of the motel—also dressed in blue. It turns out to be her husband Nick. He starts talking from afar, and from that point on my toes barely touch the ground. I float in a blue bubble carried by Nick’s sentences. Virtually all of them sound like iconic anecdotes ending with an exclamation point, supported by affirming—or dissenting—sounds from his wife. I learn that the accent is from the former Yugoslavia.

I float



in a

blue bubble



carried by

Nick's sentences.

Photo A: Texan Motel, Photo B: A motel room in Raton, NM

Nick visited America in 1968 as a tourist, and became an American citizen in 1976. “You gotta take chances … All you need in this country is common sense and the will to work!”

After working as a welder in Denver, Colorado, for 18 years, he took the plunge and started a motel in Raton, New Mexico. At first he ran the motel by himself, but then, through a cousin in Canada, he heard about a single Yugoslav lady. Soon after, Zorka and Nick got married, and together they ran the successful Maverick Motel.

“I thought I married a millionaire!” Zorka says, laughing. “I was very close to a million!” Nick says. Back then, he adds, there were a lot of horse races in Raton. “The motel was always fully booked.”

story image
play

PLAY

Nowadays, the motel is for sale. Large, corporate motel chains are rapidly taking over the industry, making motel life hard, and sometimes impossible, for the smaller and older motels. On top of that, staff shortages and higher wholesale prices lead to older motels collapsing—sometimes literally. For Nick and Zorka, there is also another reason to quit: their aging bodies need rest.

In the evening, we drink Slivovitz in an un-American living room, surrounded by fake sunflowers and dozens of photos of their children and grandchildren—even the sofa is covered by a large family photo. Nick picks up a tamburica-like instrument and plays a song. His fingers move slower than he hoped, but it still sounds good.

FREE COFFEE COLOR CABLE TV ROOM

story image

You gotta


take chances!



All you need


in this country

is common sense


and

the will to work!

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E1: Pretty Close to a Million

American: A project by Robin de Puy

About this project

“AMERICAN” is a collection of audio, film and photographic portraits by Dutch photographer and filmmaker Robin de Puy. The series was created in the US between 2022 and 2024. Her images invite us to look closer at and listen to the stories of a cross-section of people who make up one of the world’s most powerful, extreme and divisive countries, at a politically turbulent and poignant time. Beyond globally-renowned celebrities and politicians whose voices and opinions we are privy to, what are the thoughts, concerns and dreams of the largely unheard citizens of America?

"AMERICAN", a project envisioned by De Puy in collaboration with WePresent, the arts platform of WeTransfer, consists of 25 episodes in which we meet and hear the stories of an extraordinary collection of people. The last nine episodes were newly captured in the summer of 2024, in the lead-up to one of the most tense elections the country will experience. Through De Puy’s lens, Americans emerge not as stereotypes or abstractions, but as complex individuals with hopes, dreams, fears, and a remarkable capacity to endure and inspire.

The photographs, stories and testimonies that make up “AMERICAN” will be published in a photobook by Hannibal in December 2024 in Europe, and in early 2025 worldwide.

About Robin de Puy

Award-winning photographer Robin de Puy (b. 1986, the Netherlands) sees the camera as an aid to understand the deeply personal traits and histories of each of her subjects. Many of her encounters are fleeting; a heartfelt glance into the life of someone else before time resumes its frantic pace. De Puy sees the camera as an aid to understand the deeply personal traits and histories of each person, and how in turn they reveal something about herself.

De Puy studied at the Fotoacademie Rotterdam and has been exhibited internationally at a wide range of some of the world’s most highly regarded institutions and galleries. Among numerous other awards, De Puy was the winner of the National Portrait Prize in both 2013 and 2019. Her work is held and displayed in major public and private collections worldwide.

Maarten van Rossem - DoP Sam Verberne - Assistant Annelien van Wijnbergen - Editor Rob Prochnow - Editor Ralf Verbeek - Editor Pelle Asselbergs - Editor Tim Roza - Editor Melcher Meirmans - Sound Mix

About WePresent

WePresent is WeTransfer’s Academy Award-winning arts platform, acting as the company’s cultural torchbearer to a monthly audience of approximately three million in 190 countries. Collaborating with a wide range of creators—from emerging young talent to renowned artists, such as Marina Abramović, Riz Ahmed, FKA twigs or Solange Knowles—WePresent showcases the best in art, photography, film, music, literature and more, championing diversity in everything it does.

WePresent

Holly Fraser - Editor-in-Chief / VP of Content Danielle Boelling - Senior Managing Editor Liv Siddall - Senior Editor Alex Mattinson - Senior Creative Producer Esra Gürmen - Copy Editor

WeTransfer Studio

Robbie Kerr - Associate Creative Director Marc Vermeeren - Creative Director Marika Seo - Senior Designer Mikee Silva - Digital Designer Giulian Drimba - Senior Creative Developer Sofia Zymnis - Creative Developer Simon Riisnæs Dagfinrud - Senior Creative Developer Mathieu Artu - Senior Creative Developer Everton Guilherme - Senior Motion Designer Linsey Ruijter - Senior Project Manager Dotte Lucker - Junior Project Manager

Video credits

Episode 1
Pretty Close to a Million

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 2
Five Hundred Tire Shops

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 3
Spoiler Alert

Directed by: Robin de Puy Camera: Maarten van Rossem Sound Design: Melcher Meirmans

Episode 4
Some Real Cowboys

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 5
Jacks of All Trades

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 6
Just a Big Family

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 7
Boys From Mena

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 8
Beckham's Bookshop

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 9
Run Like Hell

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Ralf Verbeek Sound Design: Melcher Meirmans

Episode 10
Any Kind of Disaster

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Tim Roza Sound Design: Melcher Meirmans

Episode 11
Leuxian with an X

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 12
Big Little Cowboy

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 13
The Man on the Couch

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Ralf Verbeek Sound Design: Melcher Meirmans

Episode 15
Blushing Cheeks

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 16
A Better Future

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 17
You Just Need to Find The Glitch

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Pelle Asselbergs Sound Design: Melcher Meirmans

Episode 18
Venus in Chipotle

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Sound Design: Melcher Meirmans

Episode 19
A Fun Little Toy

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 20
Keep Your Head On a Swivel

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 21
When You Run, You Don't Ever Look Back

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 22
From Son Up To Son Down

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 23
Desire for a Miracle

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 24
Killer Cats: The Sequel

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 25
Respect to Everyone

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Ralf Verbeek Sound Design: Melcher Meirmans