Who

represents

America

?

Road Sign
Cover Photograph

[24 July, 2024]

His eyes seem weary and concerned, but when James looks at his sons, I see a small sparkle. After years of fleeing the grief over losing his mother, Robin, James decided one night that his lonely existence had to come to an end. “I’d become a workaholic and didn’t want to live out of a suitcase anymore. I decided to come home, take a giant pay cut and start a family.”

“Look what I got!” Austyn, his eldest, yells. He shows me his homemade scoop net—a plastic water bottle cut in half, with a string tied through one end. The rain has created a stream along the railroad tracks. “I’m trying to catch fish,” he says. Meanwhile Austyn’s little brother, Ryder, fires colorful staples everywhere with his stapler, which he calls “a fun little toy.”

Night falls, and the hardness of the day becomes a soft blanket that embraces us gently. A train approaches. The train driver honks his horn loudly and waves at the boys with a big smile. For minutes, dozens of carriages pass by. The squeaking, crunching steel is in stark contrast to the still-young, small bodies of the boys. Ryder aims his little stapler at the train, glancing past an imaginary barrel, and fires. He knows his feet are not allowed past the stop line, but his whole body leans just a bit further. Austyn is unfazed by the rumbling train, focusing instead on his fishies. When the seemingly endless train has finally passed, it leaves me with a lump in my throat.

Night falls,



and the hardness of the day


becomes a

soft blanket that



embraces us gently.

Story image

Their temporary home—something in between an apartment and a barn—is directly adjacent to the railroad tracks.“We are allowed to live here temporarily because of a friend, the owner of the [neighboring] recycling center. This way we can save some money,” James says. “Hopefully, we can eventually find a nice, and more permanent, place to live.”

That same night, when the boys’ mother, Tiffany, comes home, they run up to her enthusiastically and take Tanner, their youngest brother, out of the car. I get to join in on the chaos of the big family, full of little men, for a very short time. Ryder pushes an old, trembling, nearly bald hamster into my hands, while Austyn drags his little brother around the house upside down. “You are making me nervous,” Tiffany cries out, but her voice is barely audible as yet another passing train shakes the house.

When little Tanner gets his bottle and begins to calm down, I decide to leave them alone. Their time together is precious, as Tiffany takes James, who now works as a welder, to his workplace every night at 3:30 AM.

She then drives back and spends the day with their children. At his previous job, James sometimes had to work all night, and Tiffany didn’t feel safe at home by herself and the kids. “So we’d all sleep in the car until Dad got off work,” she says. James looks at the kids and laughs: “This bunch of rats keep me happy.”

Her voice



is barely audible



as yet

another passing

train shakes the house.

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E19: A Fun Little Toy

American: A project by Robin de Puy

About this project

“AMERICAN” is a collection of audio, film and photographic portraits by Dutch photographer and filmmaker Robin de Puy. The series was created in the US between 2022 and 2024. Her images invite us to look closer at and listen to the stories of a cross-section of people who make up one of the world’s most powerful, extreme and divisive countries, at a politically turbulent and poignant time. Beyond globally-renowned celebrities and politicians whose voices and opinions we are privy to, what are the thoughts, concerns and dreams of the largely unheard citizens of America?

"AMERICAN", a project envisioned by De Puy in collaboration with WePresent, the arts platform of WeTransfer, consists of 25 episodes in which we meet and hear the stories of an extraordinary collection of people. The last nine episodes were newly captured in the summer of 2024, in the lead-up to one of the most tense elections the country will experience. Through De Puy’s lens, Americans emerge not as stereotypes or abstractions, but as complex individuals with hopes, dreams, fears, and a remarkable capacity to endure and inspire.

The photographs, stories and testimonies that make up “AMERICAN” will be published in a photobook by Hannibal in December 2024 in Europe, and in early 2025 worldwide.

About Robin de Puy

Award-winning photographer Robin de Puy (b. 1986, the Netherlands) sees the camera as an aid to understand the deeply personal traits and histories of each of her subjects. Many of her encounters are fleeting; a heartfelt glance into the life of someone else before time resumes its frantic pace. De Puy sees the camera as an aid to understand the deeply personal traits and histories of each person, and how in turn they reveal something about herself.

De Puy studied at the Fotoacademie Rotterdam and has been exhibited internationally at a wide range of some of the world’s most highly regarded institutions and galleries. Among numerous other awards, De Puy was the winner of the National Portrait Prize in both 2013 and 2019. Her work is held and displayed in major public and private collections worldwide.

Maarten van Rossem - DoP Sam Verberne - Assistant Annelien van Wijnbergen - Editor Rob Prochnow - Editor Ralf Verbeek - Editor Pelle Asselbergs - Editor Tim Roza - Editor Melcher Meirmans - Sound Mix

About WePresent

WePresent is WeTransfer’s Academy Award-winning arts platform, acting as the company’s cultural torchbearer to a monthly audience of approximately three million in 190 countries. Collaborating with a wide range of creators—from emerging young talent to renowned artists, such as Marina Abramović, Riz Ahmed, FKA twigs or Solange Knowles—WePresent showcases the best in art, photography, film, music, literature and more, championing diversity in everything it does.

WePresent

Holly Fraser - Editor-in-Chief / VP of Content Danielle Boelling - Senior Managing Editor Liv Siddall - Senior Editor Alex Mattinson - Senior Creative Producer Esra Gürmen - Copy Editor

WeTransfer Studio

Robbie Kerr - Associate Creative Director Marc Vermeeren - Creative Director Marika Seo - Senior Designer Mikee Silva - Digital Designer Giulian Drimba - Senior Creative Developer Sofia Zymnis - Creative Developer Simon Riisnæs Dagfinrud - Senior Creative Developer Mathieu Artu - Senior Creative Developer Everton Guilherme - Senior Motion Designer Linsey Ruijter - Senior Project Manager Dotte Lucker - Junior Project Manager

Video credits

Episode 1
Pretty Close to a Million

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 2
Five Hundred Tire Shops

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 3
Spoiler Alert

Directed by: Robin de Puy Camera: Maarten van Rossem Sound Design: Melcher Meirmans

Episode 4
Some Real Cowboys

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 5
Jacks of All Trades

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 6
Just a Big Family

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Rob Prochnow Sound Design: Melcher Meirmans

Episode 7
Boys From Mena

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 8
Beckham's Bookshop

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 9
Run Like Hell

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Ralf Verbeek Sound Design: Melcher Meirmans

Episode 10
Any Kind of Disaster

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Tim Roza Sound Design: Melcher Meirmans

Episode 11
Leuxian with an X

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 12
Big Little Cowboy

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 13
The Man on the Couch

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Ralf Verbeek Sound Design: Melcher Meirmans

Episode 15
Blushing Cheeks

Directed by: Robin de Puy Camera: Maarten van Rossem

Episode 16
A Better Future

Directed by: Robin de Puy Camera: Maarten van Rossem Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 17
You Just Need to Find The Glitch

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Pelle Asselbergs Sound Design: Melcher Meirmans

Episode 18
Venus in Chipotle

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Sound Design: Melcher Meirmans

Episode 19
A Fun Little Toy

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 20
Keep Your Head On a Swivel

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 21
When You Run, You Don't Ever Look Back

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 22
From Son Up To Son Down

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 23
Desire for a Miracle

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 24
Killer Cats: The Sequel

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Annelien van Wijnbergen Sound Design: Melcher Meirmans

Episode 25
Respect to Everyone

Directed by: Robin de Puy Camera: Maarten van Rossem Assistant: Sam Verberne Editor: Ralf Verbeek Sound Design: Melcher Meirmans